| When the first coat is this bad... |
First of all, I sanded around the edges so that the veneer merges with the body of the guitar. That worked nicely. I was pleased.
After that I dug out my can of shiny-wood-varnish with in-built rosewood coloured stain. Gave it a good shake, and then a lengthy stir, dug out a shiny new varnish brush with sooper soft bristles the vegetarian in my doesn't want to contemplate. (They just shave pigs to get them, don't they?)
And then I gave it a first coat.
Now I think I said I'd gone for the coloured varnish as water based stains can cause all manner of fun with veneers - mainly bubbling, and as you've seen I can do that sort of thing unaided. So this seemed a good idea. Varnish with a hint of roseywood colour for a deeper, lasting shininess.
So I put on the first coat of the gloopy browny-red gunk in the tin, and it covered beautifully. Too beautifully in fact as it is so thick I can no longer see any of the beautiful grain I was in love with just a hand filled with beautiful moments earlier.
So, I ask myself, why didn't I just clearcoat it?
And the answer is...I DON'T KNOW.
Sheesh.
Anyway, three hours later and it is dry and ready for another coat, so what do I do?
| ...the Third isn't going to be any better. |
But it didn't, and I have to say it looks shite.
I hate it.
I could hit something, or somebody if they were really small, feeble and truth be told, restrained too.
I'm not much of a fighter, has to be said.
So there we are.
Failure, nipped from tween the broken teeth of possible just-about-good-enough, err, jaws.
Back to that there drawing board, methinks.